Notebook magazine is a print extension of MUBI’s advocacy for the art of cinema, providing a new platform aimed at exploring cinema’s present, past and future for both new and existing audiences.

The magazine features original contributions by artists, writers, filmmakers, critics, and academics on a unique and eclectic array of cinematic subjects, including the physical world of cinema – theatres, galleries and exhibition venues – as well approaching the general study and enjoyment of film from unexpected angles.

About Issue 6 from the publisher:

'Ah, to be young! Issue 6 is dedicated to different expressions of youth in cinema, a time of surprise, invention, rebellion, and hope for the future. In a cross-generational feature, a group of parents curate a short film program and share the reactions (and drawings) of their own children. Plunging bravely into the madcap “microcinematic” world of videos found across TikTok, YouTube, and Instagram feeds, filmmaker Nikita Lavretski provides a critical guide to one day’s intense viewing; in another artist contribution, Fox Maxy handwrites an inspiring letter to her younger self. Other features include academic Christopher Holliday on digital de-aging, visual artist Jonas Staal on product placement’s childhood targets, critic Philippa Snow on teenage fascination with visual extremity, and writer Adam Wray on bootleg movie merchandise. In a roundtable feature, the makers and voices of the animated series Daria tell Claire Marie Healy how they channeled teenage disaffection, and participants and teachers share photographs and memories from New York’s impactful Young Filmaker’s Foundation. Writer and director Durga Chew-Bose pinpoints cinematic moments that evoke a timeless childhood, and a selection of poems by avant-gardist Shūji Terayama, written when he was a young adult in mid-century Japan, further attest to the enduring fire of youth. Elsewhere in the magazine, Amalia Ulman and Payal Kapadia continue our multi-issue series “Things a Filmmaker Should Know,” the revelation of rare and restored imagery marks the centennial of Sergei Parajanov’s birth, and an unsung but brilliant special effects pioneer is given his due.'